<table valign="top" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr height="35"> <td valign="top"><span class="White12">Internationally acclaimed Visual Effects Boutique premieres three films at Toronto Festival.</span></td></tr></tbody></table> <table style="bottom: 8px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr bgcolor="#333333"> <td><img alt="" src="/images/news/tiff01.jpg" border="0"></td> <td><img alt="" src="/images/news/tiff02.jpg" border="0"></td> <td><img alt="" src="/images/news/tiff03.jpg" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="/images/news/PR_090705_IntelligentCreatures.pdf" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table>

<TABLE cellSpacing=0 cellPadding=3 border=0 valign="top"> <TBODY> <TR height=35> <TD vAlign=top><SPAN class=White12>Intelligent Creatures visual effects supervisor Raymond Gieringer tells vfxblog about his studio's diversified work for Mr. and Mrs. Smith.</SPAN></TD></TR></TBODY></TABLE> <TABLE style="BOTTOM: 9px; POSITION: absolute" cellSpacing=0 cellPadding=3 border=0> <TBODY> <TR align=top bgColor=#333333> <TD><IMG alt="" src="/images/news/vfxblog_mms_01.jpg" border=0></TD> <TD><IMG alt="" src="/images/news/vfxblog_mms_02.jpg" border=0></TD> <TD><IMG alt="" src="/images/news/vfxblog_mms_03.jpg" border=0></TD> <TD vAlign=bottom bgColor=#545e60><A class=White12B href="http://www.fxguide.com/fxblog2203.html" target=_blank>MORE &gt;&gt;</A></TD></TR></TBODY></TABLE>

<table valign="top" border="0" cellpadding="3" cellspacing="0"><tbody><tr height="35"><td valign="top"><span class="White12">Toronto, Ontario - June 14, 2005 - eyeon Software Inc. would like to thank Intelligent Creatures, CafeFX and Digital Dimension for their dedication and hard work on Mr. &amp; Mrs. Smith.</span></td></tr></tbody></table><table style="position: absolute; bottom: 9px;" border="0" cellpadding="3" cellspacing="0"><tbody><tr align="top" bgcolor="#333333"><td><img alt="" src="/images/news/eyeon01.jpg" border="0"></td><td><img alt="" src="/images/news/eyeon02.jpg" border="0"></td><td><img alt="" src="/images/news/eyeon03.jpg" border="0"></td><td bgcolor="#545e60" valign="bottom"><a class="White12B" href="http://www.eyeonline.com/Web/EyeonWeb/Press/DisplayArticle.aspx?articleid=191" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table>

<table valign="top" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr height="35"> <td valign="top"><span class="White12">VFX Supervisor on such films as Chicago, and Panic Room. Interview by Carole Bouchard. Talented, Raymond makes CG look absolutely real; VFX expert Kevin Tod Haug concurs “invisible to even a trained eye, what more do you need to say”.</span></td></tr></tbody></table> <table style="position: absolute; bottom: 9px;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr align="top" bgcolor="#333333"> <td><img alt="" src="/images/news/CGCh_01.jpg" border="0"></td> <td><img alt="" src="/images/news/CGCh_02.jpg" border="0"></td> <td><img alt="" src="/images/news/CGCh_03.jpg" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="http://www.cgchannel.com/news/showfeature.jsp?newsid=1556" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table>

<table valign="top" border="0" cellpadding="3" cellspacing="0"><tbody><tr height="35"><td valign="top"><span class="White12">When Miramax opted to shoot Chicago in Toronto, artists at Toronto visual-effects facility Command Post Toybox were charged with transforming the modern Canadian city into the fabled metropolis of Al Capone circa 1929.</span></td></tr></tbody></table><table style="position: absolute; bottom: 9px;" border="0" cellpadding="3" cellspacing="0"><tbody><tr align="top" bgcolor="#333333"><td><img alt="" src="/images/news/AmCi_01.jpg" border="0"></td><td><img alt="" src="/images/news/AmCi_02.jpg" border="0"></td><td><img alt="" src="/images/news/AmCi_03.jpg" border="0"></td><td bgcolor="#545e60" valign="bottom"><a class="White12B" href="http://www.theasc.com/magazine/feb03/razzle/sidebar.html" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table>

<table valign="top" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr height="35"> <td valign="top"><span class="articleSubTitle">Alain Bielik of VFXWorld talks with visual effects supervisor Raymond Gieringer on how vfx were needed to keep political thriller <i>The Sentinel</i> in its White House setting.<br> </span></td></tr></tbody></table> <table style="bottom: 8px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr bgcolor="#333333"> <td><img src="/images/news/the_sentinel1.jpg" align="" border="0" height="60" width="115"></td> <td><img src="/images/news/the_sentinel2.jpg" align="" border="0" height="60" width="115"></td> <td><img src="/images/news/the_sentinel3.jpg" align="" border="0" height="60" width="115"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="http://vfxworld.com/?sa=adv&code=1e242f07&atype=articles&id=2857" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table>

<TABLE style="BOTTOM: 9px; POSITION: absolute" cellSpacing=0 cellPadding=3 border=0> <TBODY> <TR align=top bgColor=#333333> <TD><IMG alt="" src="/images/news/the_sentinel1.jpg" border=0></TD> <TD><IMG alt="" src="/images/news/babel02.jpg" border=0></TD> <TD><IMG alt="" src="/images/news/babel03.jpg" border=0></TD> <TD vAlign=bottom bgColor=#545e60><A class=White12B href="http://vfxworld.com/?sa=adv&amp;code=1e242f07&amp;atype=articles&amp;id=3056" target=_blank>MORE &gt;&gt;</A></TD></TR></TBODY></TABLE><FONT color=#ffffff>Alain Bielik from VFXWorld climbs the Tower of <I>Babel</I> in search of VFX treasure. Includes QuickTime clip showing Intelligent Creatures’ CG Tokyo!</FONT>

<TABLE style="BOTTOM: 9px; POSITION: absolute" cellSpacing=0 cellPadding=3 border=0> <TBODY> <TR align=top bgColor=#333333> <TD><IMG alt="" src="/images/news/playback.jpg" border=0></TD> <TD><IMG alt="" src="/images/news/fountain02.jpg" border=0></TD> <TD><IMG alt="" src="/images/news/eyeon03.jpg" border=0></TD> <TD vAlign=bottom bgColor=#545e60><A class=White12B href="http://www.playbackmag.com/articles/magazine/20061016/intelligentcreatures.html" target=_blank>MORE &gt;&gt;</A></TD></TR></TBODY></TABLE><FONT color=#ffffff>A unique graphic transition in the opening sequence of the Michael Douglas feature The Sentinel and the astonishing closing pull-away shot to a Tokyo skyline in the forthcoming Brad Pitt starrer Babel provide only a glimpse of the work that’s come out of Toronto VFX shop Intelligent Creatures.</FONT>

<TABLE style="BOTTOM: 9px; POSITION: absolute" cellSpacing=0 cellPadding=3 border=0> <TBODY> <TR align=top bgColor=#333333> <TD><IMG alt="" src="/images/news/wf01.jpg" border=0></TD> <TD><IMG alt="" src="/images/news/wf02.jpg" border=0></TD> <TD><IMG alt="" src="/images/news/wf03.jpg" border=0></TD> <TD vAlign=bottom bgColor=#545e60><A class=White12B href="http://wired.com/wired/archive/14.11/outsider.html" target=_blank>MORE &gt;&gt;</A></TD></TR></TBODY></TABLE><FONT color=#ffffff>To create his sci-fi epic, director Darren Aronofsky had to slash the Hollywood budget, ditch the usual digital f/x, and return to his roots as an indie filmmaker. By Steve Silberman from Wired magazine</FONT>

<table style="bottom: 9px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr align="top" bgcolor="#333333"> <td><img alt="" src="/images/news/the_sentinel1.jpg" border="0"></td> <td><img alt="" src="/images/news/fountain04.jpg" border="0"></td> <td><img alt="" src="/images/news/fountain03.jpg" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="http://vfxworld.com/?sa=adv&amp;code=1e242f07&amp;atype=articles&amp;id=3087" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table>Bill Desowitz gets closer to The Fountain with director Darren Aronofsky, vfx supervisor/designer Jeremy Dawson and Intelligent Creatures vfx supervisor Raymond Gieringer.

<table style="bottom: 9px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr align="top" bgcolor="#333333"> <td><img alt="" src="/images/news/small_3.jpg" border="0"></td> <td><img alt="" src="/images/news/pic09_new.jpg" border="0"></td> <td><img alt="" src="/images/news/small_1.jpg" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="http://features.cgsociety.org/story_custom.php?story_id=3866" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table><font color="#ffffff">While ‘98% of ‘The Fountain’ is CG-free,’ that two percent slice holds the film together, depicting rich Mayan forests, skies and deep space, seamlessly. </font><font color="#ffffff">Intelligent Creatures took on the challenge of creating backgrounds and ‘ spaces’ for The Fountain with enthusiasm.</font>

<TABLE style="BOTTOM: 9px; POSITION: absolute" cellSpacing=0 cellPadding=3 border=0> <TBODY> <TR align=top bgColor=#333333> <TD><IMG alt="" src="/images/news/AmCi_01.jpg" border=0></TD> <TD><IMG alt="" src="/images/news/fountain_couple_1.jpg" border=0></TD> <TD><IMG alt="" src="/images/news/fountain_couple_2.jpg" border=0></TD> <TD vAlign=bottom bgColor=#545e60><A class=White12B href="/images/news/AC_Fountain.pdf" target=_blank>MORE &gt;&gt;</A></TD></TR></TBODY></TABLE>The Fountain, shot by Matthew Libatique, ASC, traces a couples passion through three eras spanning 1,000 years.<BR>

<table style="bottom: 9px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr align="top" bgcolor="#333333"> <td><img alt="" src="/images/news/et_logo.jpg" border="0"></td> <td><img alt="" src="/images/news/eyeon03.jpg" border="0"></td> <td><img alt="" src="/images/news/et_fountain.jpg" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" onclick="window.open('/images/news/etcanada/','ET Canada Profile','scrollbars=no,width=330,height=290')" href="#">MORE &gt;&gt;</a></td></tr></tbody></table><font color="#ffffff">ET Canada interviews Intelligent Creatures' Lon Molnar and Jamie Hallett about current and past projects and what's to come in the future.</font>

<TABLE style="BOTTOM: 9px; POSITION: absolute" cellSpacing=0 cellPadding=3 border=0> <TBODY> <TR align=top bgColor=#333333> <TD><IMG alt="" src="/images/news/fxguide_logo.jpg" border=0></TD> <TD><IMG alt="" src="/images/news/article_pic_2.jpg" border=0></TD> <TD><IMG alt="" src="/images/news/article_pic_1.jpg" border=0></TD> <TD vAlign=bottom bgColor=#545e60><A class=White12B href="http://www.fxguide.com/article387.html" target=_blank>MORE &gt;&gt;</A></TD></TR></TBODY></TABLE><FONT color=#ffffff>FXGuide sits down with Intelligent Creatures to discuss their latest films, including Babel, Stranger Than Fiction and The Fountain.<BR></FONT>

<table style="bottom: 9px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr align="top" bgcolor="#333333"> <td><img alt="" src="/images/news/gg.jpg" border="0"></td> <td><img alt="" src="/images/news/babel5.jpg" border="0"></td> <td><img alt="" src="/images/news/eyeon03.jpg" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="http://entertainment.msn.com/tv/globes2007/winners/" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table><font color="#ffffff">The Hollywood Foreign Press Association (HFPA) awards Babel,&nbsp; the 2007 golden globe for Best Picture.<br></font>

<table style="bottom: 9px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr align="top" bgcolor="#333333"> <td><img alt="" src="/images/news/the_sentinel1.jpg" border="0"></td> <td><img alt="" src="/images/news/number_23__5.jpg" border="0"></td> <td><img alt="" src="/images/news/number_23__2.jpg" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="http://vfxworld.com/?sa=adv&amp;code=1e242f07&amp;atype=articles&amp;id=3188&amp;page=1" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table><span class="articleSubTitle">Ellen Wolff uncovers the beautiful yet chilling 3D effects created by Intelligent Creatures for <i>The Number 23</i>.</span>

<table style="bottom: 9px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr align="top" bgcolor="#333333"> <td><img alt="" src="/images/news/mania_logo.jpg" border="0"></td> <td><img alt="" src="/images/news/babel02.jpg" border="0"></td> <td><img alt="" src="/images/news/eyeon03.jpg" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="http://www.mania.com/53736.html" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table><font color="#ffffff">Pat Ferrara talks with Intelligent Creatures' Lon Molnar and Raymond Gieringer about their past work as well as what motivated&nbsp; the company’s creation and what’s in store for them in the future.<br></font>

<table style="bottom: 9px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr align="top" bgcolor="#333333"> <td><img alt="" src="/images/news/fxguide_logo.jpg" border="0"></td> <td><img alt="" src="/images/news/n23.jpg" border="0"></td> <td><img alt="" src="/images/news/n232.jpg" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="http://www.fxguide.com/article414.html" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table>Fxguide spoke to Raymond Gieringer, President and Senior Visual Effects Supervisor at Intelligent Creatures on "The Number 23"

<table valign="top" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr height="35"> <td valign="top"><span class="White12">Toronto: Adam Shankman's film version of Hairspray, due to hit theaters July 20 via Alliance Atlantis in Canada, adds a cinematic dimension to the popular stage musical.</span></td></tr></tbody></table> <table style="bottom: 8px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr bgcolor="#333333"> <td><img alt="" src="/images/news/playback3.jpg" border="0"></td> <td><img alt="" src="/images/news/hsp3.jpg" border="0"></td> <td><img alt="" src="/images/news/eyeon03.jpg" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="http://www.playbackmag.com/articles/magazine/20070430/creatures.html" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table>

<table valign="top" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr height="35"> <td valign="top"><span class="White12">Intelligent Creatures used Photoshop tricks to bring billboard posters of an all-girl singing group to life in Hairspray.</span></td></tr></tbody></table> <table style="bottom: 8px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr bgcolor="#333333"> <td><img alt="" src="/images/news/animation_magazine.jpg" border="0"></td> <td><img alt="" src="/images/news/hsp_mag.jpg" border="0"></td> <td><img alt="" src="/images/news/eyeon03.jpg" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="/images/news/hairspray_animmagarticle.pdf" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table>

<table valign="top" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr height="35"> <td valign="top"><span class="White12">Toronto Based VFX studio, Intelligent Creatures Inc. has recently finished 55 shots for New Line Cinema’s “Hairspray” starring John Travolta and Michelle Pfeiffer.</span><br></td></tr></tbody></table> <table style="bottom: 8px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr bgcolor="#333333"> <td><img alt="" src="/images/news/eyeon03.jpg" border="0"></td> <td><img alt="" src="/images/news/hairspray1.jpg" border="0"></td> <td><img alt="" src="/images/news/hairspray3.jpg" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="/images/news/hairspray_news_release.pdf" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table>

A special film issue of enRoute magazine discusses how Richard Shepard turned to Intelligent Creatures to give The Hunting Party the gritty feeling he was seeking.<table valign="top" border="0" cellpadding="3" cellspacing="0"><tbody><tr height="35"><td valign="top"><span class="White12"></span><br></td></tr></tbody></table> <table style="bottom: 8px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr bgcolor="#333333"> <td><img alt="" src="/images/news/enroute_1.gif" border="0"></td> <td><img alt="" src="/images/news/enroute_2.gif" border="0"></td> <td><img alt="" src="/images/news/enroute_3.gif" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="/images/news/hparty_magarticle.pdf" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table>

<table valign="top" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr height="35"> <td valign="top"><span class="White12">Toronto-based VFX studio, Intelligent Creatures Inc. has finished 55 shots for New Line Cinema's Hairspray starring John Travolta and Michelle Pfeiffer</span></td></tr></tbody></table> <table style="bottom: 8px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr bgcolor="#333333"> <td><img alt="" src="/images/news/computer_graphics_world_logo.jpg" border="0"></td> <td><img alt="" src="/images/news/hsp3.jpg" border="0"></td> <td><img alt="" src="/images/news/eyeon03.jpg" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="http://www.cgw.com/ME2/dirmod.asp?sid=&amp;nm=&amp;type=news&amp;mod=News&amp;mid=9A02E3B96F2A415ABC72CB5F516B4C10&amp;tier=3&amp;nid=E4E01CD9AE5C46E499A44E34431CF4D7" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table>

<link href="/css/style.css" rel="stylesheet" type="text/css"> <table align="left" border="0" cellpadding="4" cellspacing="0"> <tbody><tr> <td><table valign="top" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr height="35"> <td valign="top"><span class="White12">Intelligent Creatures is moving from a 3,000-square-foot space to a 10,000-square-foot studio in Toronto's Beach area at the end of October.</span></td></tr></tbody></table> <table style="bottom: 8px; position: absolute;" border="0" cellpadding="3" cellspacing="0"> <tbody> <tr bgcolor="#333333"> <td><img alt="" src="/images/news/playback3.jpg" border="0"></td> <td><img alt="" src="/images/news/the_game_plan.jpg" border="0"></td> <td><img alt="" src="/images/news/eyeon03.jpg" border="0"></td> <td bgcolor="#545e60" valign="bottom"><a class="White12B" href="http://www.playbackmag.com/articles/magazine/20071015/ic.html?word=intelligent&amp;word=creatures" target="_blank">MORE &gt;&gt;</a></td></tr></tbody></table></td> </tr> </tbody></table>

<p> <link href="/css/style.css" rel="stylesheet" type="text/css" /></p> <table cellspacing="0" cellpadding="4" border="0" align="left"> <tbody> <tr> <td> <link href="/css/style.css" rel="stylesheet" type="text/css" /> <table cellspacing="0" cellpadding="4" border="0" align="left"> <tbody> <tr> <td>Toronto based VFX studio, Intelligent Creatures Inc. has recently finished 102 shots for Walt Disney Picture&rsquo;s The Game Plan starring Dwayne &ldquo;The Rock&rdquo; Johnson and Kyra Sedgewick. <table cellspacing="0" cellpadding="3" border="0" valign="top"> <tbody> <tr height="35"> <td valign="top">&nbsp;</td> </tr> </tbody> </table> <table cellspacing="0" cellpadding="3" border="0" style="bottom: 8px; position: absolute;"> <tbody> <tr bgcolor="#333333"> <td><img border="0" alt="" src="/images/news/eyeon03.jpg" /></td> <td><img border="0" alt="" src="/images/news/the_game_plan_stadium.jpg" /></td> <td><img border="0" alt="" src="/images/news/the_game_plan_rock.jpg" /></td> <td valign="bottom" bgcolor="#545e60"><a class="White12B" href="/pdf/the_game_plan_release.pdf" target="_blank">MORE &gt;&gt;</a></td> </tr> </tbody> </table> </td> </tr> </tbody> </table> </td> </tr> </tbody> </table>

<table cellspacing="0" cellpadding="4" border="0" align="left"> <tbody> <tr> <td> <table cellspacing="0" cellpadding="3" border="0" valign="top"> <tbody> <tr height="35"> <td valign="top"><span class="newsText">Gabriela Mu&ntilde;oz talks to Lon Molnar about his diverse roles as a VFX Supervisor.</span></td> </tr> </tbody> </table> <table cellspacing="0" cellpadding="3" border="0" style="bottom: 8px; position: absolute;"> <tbody> <tr bgcolor="#333333"> <td><img border="0" src="/images/news/lon.jpg" alt="" /></td> <td><img border="0" src="/images/news/enroute_2.gif" alt="" /></td> <td><img border="0" src="/images/news/eyeon03.jpg" alt="" /></td> <td valign="bottom" bgcolor="#545e60"><a target="_blank" href="http://www.cgchannel.com/news/viewfeature.jsp?newsid=7125" class="White12B">MORE &gt;&gt;</a></td> </tr> </tbody> </table> </td> </tr> </tbody> </table>

<table cellspacing="0" cellpadding="4" border="0" align="left"> <tbody> <tr> <td> <table cellspacing="0" cellpadding="3" border="0" valign="top"> <tbody> <tr height="35"> <td valign="top"><span class="newsText">Intelligent Creatures announced today that CEO Lon Molnar and COO Michael Hatton have assumed full ownership and executive management of Intelligent Creatures Inc. </span></td> </tr> </tbody> </table> <table cellspacing="0" cellpadding="3" border="0" style="bottom: 8px; position: absolute;"> <tbody> <tr bgcolor="#333333"> <td valign="bottom" bgcolor="#545e60"><a target="_blank" href="/pdf/PR-101207-ICVFX-RW.pdf" class="White12B">MORE &gt;&gt;</a></td> </tr> </tbody> </table> </td> </tr> </tbody> </table>

<table cellspacing="0" cellpadding="3" border="0" valign="top"> <tbody> <tr height="35"> <td valign="top"><span class="newsText">Beach Metro News interviews Intelligent Creatures CEO Lon Molnar </span></td> </tr> </tbody> </table> <table cellspacing="0" cellpadding="3" border="0" style="bottom: 8px; position: absolute;"> <tbody> <tr bgcolor="#333333"> <td valign="bottom" bgcolor="#545e60"><a class="White12B" href="/pdf/TheBeacher26_02_08.pdf" target="_blank">MORE &gt;&gt;</a></td> </tr> </tbody> </table>

<p>Intelligent Creatures is pleased to announce Frank Massara as their new CFO.....</p> <p><a href="/pdf/ICFRANKMASSARAPRESSRELEASE.pdf" target="_blank" class="White12B">MORE &gt;&gt;</a></p>